“That Day”
Seattle Washington
The white lights of towering streetlamps reflect off the wet pavement of the hospital’s parking lot. At the center of this sea of asphalt, a mammoth construction of stone and steel stands tall—a refuge for the feeble, the poor, and the broken. Tonight, the windows of Harbor View Medical Center are dark and foreboding. Hiding behind thick earth-toned curtains, the sick and dying lie in rooms stacked eight stories high, lauding the somberness of Seattle.
The rhythmic drone of the wiper blades ends abruptly when the ignition key is turned. The twin metal arms stop in the middle of the glass as if the man behind the wheel has stolen their sole purpose from them. The day-long October rains have become a nighttime drizzle. Three hours too late, he thinks, tossing the pocket-sized umbrella to the floorboard of the rented Chevy pickup truck, adding it to the empty water bottles, a half-eaten bag of pork rinds, and a wadded-up bag from McDonald’s (home of the golden arches and too hot coffee). His exhaustion is palpable; a heavy weight rests on his shoulders.
The drive from Olympia to Seattle had taken longer than it should have, hampered by the rain and three accidents on the highway. Coupled with two unscheduled bathroom stops because he drank too much coffee (burning his tongue three times) and his arrival was much later than anticipated. Olympia had not been part of his travel plans when he flew out of Dallas that morning. It was his first experience booking a flight online. It was more straightforward than what he had thought it might be. Thankful for that, at least. Tom Britton doesn’t like computers, never has, never will. But a necessity in the twenty-fourth year of the new century. Why the booking service had not anticipated the bad weather in Seattle was a mystery to him; it had been on the morning news every day this week. Aboard the non-stop flight (costing twice as much as the others), he had read an article about artificial intelligence. AI is creating friendlier, faster skies. Bullshit! Mister AI doesn’t know how to read a simple weather map. The layover in Olympia would mean another four-hour delay before he touched down in Seattle. Driving would be faster. He found the Hertz counter empty, but in this post-pandemic era, who needs people? A kiosk with a computer screen, a credit card slot, and, just like that, a mysteriously appearing key negates the need for human intervention.
His daughter hadn’t told him what the hospital visiting hours were. What if they don’t let him in? What if he can’t see Grayson? What if he is too late? It was typical of his daughter to omit such menial details as visiting hours. Could you get to the point, her often repeated motto in life? She must have inherited that from her mother’s side of the family; it certainly wasn’t from him. Details are important. Often critical. The difference between success and failure. Winning and losing. Winning isn’t everything but losing sucks. His motto.
“So, why am I still sitting in the truck, worrying about being late and not marching into the damn hospital see my grandson?” he asks the man in the rearview mirror. “Worrying about worrying, Tom? Get a move on.”. Opening the door, he steps out into the damp night.
Tom Britton tapped on the glass of the locked doors. A security guard, dressed in dark blue trousers and a matching shirt, presses an unseen button. Tom wipes his boots on the door mat before stepping onto the freshly waxed floors of Harbor View Medical Center. The guard nods his sallow, pimpled face, a result of too little sun and too much sugar. Opening his mouth to provide directions to the Emergency room reveals lime-green colored braces with neon yellow bands stretching from his canines. Tom thanks him and heads off in the direction provided. He wonders how young the guard is, and if the young man is aware what appears to be a remnant of a ramen noodle was wrapped around one of the neon bands.
The double steel doors leading into the Emergency Room are closed. Pressing a large blue button on the wall, he waits—an audible click. The doors seem unimpressed. He presses the button again. Same song, same dance. Same nothing. Looking up, the sign over the doors confirms he has traveled the correct corridor. A third push of the button. Another click. With slight hesitation and a moan, the door on the right opens, revealing another brightly lit corridor. The floors here have yet to be waxed or mopped. Dirty footprints crisscross from wall to wall, some pointing east, some pointing west, traveling the distance from the intractable doors to a desk absent of any living person. They can’t have a kiosk here, he thinks; it’s a frigging hospital. Carefully, he steps over the outstretched legs of a sleeping man. The man is wearing a blood-soaked bandage over his left eye and holding an upturned paper cup in a motionless hand. A puddle of spilled coffee disappears beneath legs so thin Tom wonders how legs so attenuated could support the man.
Walking past another pair of glass doors on his right, he continues his quest. Outside the door is another parking lot—this one has more cars. He berates himself for not having considered an ER entrance. All hospitals have an ER entrance. What was he thinking about?
About his grandson. That was all he could think about since Lena had called. Grayson was sixteen years old. How did that happen? Yesterday he was a little boy sitting on the front porch talking about birds and turtles, learning how to whittle the perfect arrow out of a birch branch. Trying to outdo each other in a game of if you could have any superpower. Invisibility was always Grayson’s go to. But that wasn’t yesterday. And he’s not a little boy anymore.
Grayson had attempted to commit suicide. Thoughts of how this happened had plagued his mind for the last twenty-four hours. Suicide? Unanswered questions led to imagining the worst and praying for something less.
Arriving at the unmanned desk, he looks around. A clipboard and a Solo cup holding half a dozen pens sit on the counter. A placard with white letters on a dark blue background informs the visitor—Please Sign in Wait for your name to be called No Drinks Allowed in the Waiting Area. He looks at the page filled with names from top to bottom; half have been crossed out with red ink. The other half must be waiting for their name to be called. To his left is a large room filled with chairs. Chairs without cushions. Chairs with sick people. Most were sleeping. Some have their heads in their hands, bent at the waist, staring at the floor. A young mother cradles a small child against her. The child’s body is limp, his face pale. A second child sits next to the mother, tiny fingers scrolling over the face of a smartphone.
“Sir, did you sign in?”
Tom turns to the voice. A large woman holding a red pen is pointing at the clipboard. She is taller than him by at least three inches. Her brown hair is pulled back severely, making her forehead appear much more extensive than one’s forehead should be. She wears no jewelry and no make-up. No smile.
Tom removes his hat and places it on top of the clipboard. “I’m not here to see a doctor. My grandson was brought in, and I need to see him.”
Frowning, she pulls the clipboard from under the hat, dusting the paper with her hand as if the hat had cooties.
“What is his name,” she asks, turning to a monitor.
“Grayson. Grayson Adair.”
Her fingers fly over the keyboard, her eyes darting back and forth between the monitor and the Stetson.
“We do not have a Grayson Adair listed,” she tells him pointedly.
Shaking his head, “That can’t be right. Please check again.” He picks up his hat, holding it by his side.
Ignoring all data privacy laws and every letter of HIPAA, the boundless foreheaded attendant reveals to him, “There is an Adair, but it is Grace, not Grayson. Female, not male.” She smirks, “Are you sure you are in the right hospital, cowboy?”
He looks down at his watch, inhaling slowly and releasing breath through his lips. “Yes, I am certain. Is there someone else who may be able to help…”
“Look around sir, does it look like here is anyone else who could help. If you would like to take a seat, I will call upstairs and see if someone made a mistake.”
“A mistake? How do you mistake a boy for a girl? This is a hospital for Christ’s sake. I would think telling the difference between male and female would be one of the easier things to…”
“Daddy?”
Spring of 1912—Choctaw County, Mississippi
Oleta Ruth Greene was born on the banks of the
Yockanookany River in Choctaw County
Mississippi. It was the spring of 1912, in the
same week the RMS Titanic left Southampton,
England for the first and last time. Born to Miss
Mavis Collins and Mister Lewis Greene. Oleta’s
father was a man she never knew by anything
other than Mister Greene.
On the night she was born, the father-to-be stood
in the Yockanookany River up to his calves,
cold water pouring in over the top of his boots.
Gripping one end of a hoop net with his left
hand, the river holding the other end fighting
him for the right of possession. With his right,
he held Mavis’s hand, for balance, and comfort.
He had told her to stay in the barn, not to come
down to the river. He could handle the nets
himself, been doing it for most a lifetime. It was
near time for the baby to come, she should stay.
But there she was, prostrated on the bank of the
river, her face twisted with the pain that comes
with birthing a baby.
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J HIRTLE
“I’m gonna fetch some help, Mavis,” he
promises (his promise coming as the baby’s
head was crowning and Mavis was cursing the
gods).
“Don’t leave me here,” she screamed, “Lewis,
you son-of-a-bitch, don’t you leave me.”
Climbing out of the river, he dropped the net and
then her hand. “Mavis, I’ll be back with some
help. I promise.”
Mister Greene made off as Mavis and her half-
born baby lay on the muddy banks of the
Yockanookany River.
He was never seen again.
Promise made. Promise broken.
Mavis lay there staring at the night sky, rain
mixing with the tear-streams running down her
face. A dejected melody offered by the river
completes this melancholic scene. Long-spun
Spanish moss hangs from a goliath oak tree. A
southerly breeze cavorts with the rain,
prompting the mossy shadows to wave like the
arms of a fortune teller stealing the last nickel
from P.T. Barnum’s sucker. As heavy bottomed
clouds trudge across the early morning sky,
Mavis bears down with strength delivered by the
same God she was cursing, presenting her baby
to an undeserving world. The newborn slid
between thick thighs coated in mud and sweat,
into the numbing waters of the Yockanookany
River.
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FATHERLESS
J HIRTLE
Days later, Mavis lay on the filth laden floor of
the abandoned barn with a new baby at her
breast, wondering whom Mister Greene had
been going to fetch help for. It sure the hell
wasn’t her.
This story of fatherless generations embarked
that night on the banks of the Yockanookany
River. A tale of spineless men destined to follow
Mister Greene’s muddy footprints into the
unknown. Cowards who tremble at the words—
responsibility, commitment, sacrifice—father.
Forsaken souls not looking back to see the
abandoned ones. To never know what became
of—Oleta Ruth, or Clarence Davis, Elizabeth
Ann, Otis Alexander, and William Elijah
Bolander.
Children without fathers. Fathers without faces.
In 1915, after three years of sojourning through
the Yazoo-Mississippi Delta, working for
sharecroppers when she could, Mavis heard that
Mister Greene was living high on the hog in
Chicago. She packed up everything she owned
and stuffed it into a canvas bag once belonging
to the same Mister Greene. Everything that is,
except her determination, that she wore on her
face. With three-year-old Oleta Ruth tucked
under her arm, she set off for the Windy City in
search of her baby’s father. Mother and daughter
made it as far as Peru, Indiana before being
thrown off the Atchison Topeka & Santa Fe
Railway because, according to two gentleladies
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J HIRTLE
from St. Louis, “the child smells like shit.” Peru,
a city of five square miles, was recovering from
the flood of 1913. High waters had delivered
massive destruction to most of the town, leaving
behind few accommodations for vagabonds such
as Mavis and her child.
A local farmer pointed her west, “Head down
the road a bit, the circus people make camp
there when winter comes. Peru Circus Farm is
what the locals have come to call it. Don’t know
if they farm anything, but they won’t turn you
away, colored, or not. Ain’t many colored
people around here, maybe a few more than
there are in Wabash, but the circus folk don’t
judge people. Most of the locals don’t like them
being here, but they are good people. They’ll
help you. Go on down there, you and your baby
will be fine.”
The farmer had been correct. The circus owner,
an Irishman named Millard Murphy set up a
shelter for Mavis and her daughter in an empty
railcar smelling of wet hay and manure. He
showed Mavis how to burn wood inside an old,
galvanized tub to keep warm, warning her more
than once to never let the fire jump out of the
tub. Every morning, Mavis found a plate of
buttermilk biscuits, two slices of bacon, and a tin
cup filled with goat milk set just inside the
railcar. Sitting with her back against the oily and
splintered wall of the boxcar, she held her
daughter as they watched the circus people move
around with purpose. On some mornings, they
would stop and smile a friendly greeting or
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FATHERLESS
J HIRTLE
kneel and make silly faces at the girl. They
never asked her questions or pried where
strangers should not pry. They never even asked
her name. Often, Mavis would carry Oleta into
one of the two big barns where the elephants and
big cats were cared for. They would sit for hours
watching the animal keepers care for the circus
animals. But never wandering too close. Mavis
taught the girl the names of all the animals.
Showing her how to make the sounds of the cats
and the elephants. Life at the circus was meager
yet filled with new hope.
In spring of 1916, as President Wilson was
sending troops south in pursuit of Pancho Villa,
Mavis Collins was hired by the Senger Dry
Goods Company, Peru’s largest employer at the
time. It was the first and only paying job Mavis
ever held, earning her enough money to keep
food in their bellies. Never losing her
determination to get to Chicago and find that
sorry bastard, Mister Greene, she set aside a
portion of her earnings each week. With the
circus camp closed until winter, Mavis and her
daughter slept where they could, never calling
one place home. Come winter, she returned to
the circus camp and slept in the warmth of the
world of boxcars and circus animals. In January
1925, her last winter on this side of Heaven,
Mavis died from pneumonia brought on by too
many hours of sleeping in boxcars and owning
only one threadbare coat. Standing between a
sad-faced clown and the bearded lady, young
Oleta Ruth Greene watched her mother take her
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last breath. Ten years after being thrown off the
train because she smelled like shit, thirteen-year-
old Oleta Ruth Greene was alone in the same
undeserving world she had come into.